Goal 2: Teachers know the subjects they teach and how to teach those
subjects to students.
Exhibit C - Praxis Art K-12
Exhibit D - Romare Bearden
Unit
Exhibit E - Samples of student work
Theorists: Bruner, Counts
Courses: EDUC 516 and EDUC 580
As many who arrive at teaching as a
profession a little late in life, I spent many years working in my chosen field
of art. For a little over a decade I worked as a creative director, graphic
designer, freelance artist and illustrator. The experience gained during the
years of on-the-job training has proven to be invaluable to my teaching career.
I attained a Bachelor of Fine Arts in Graphic Design and Illustration from
Columbia College in 1995 and have continued to hone and build my skills as an
artist in many mediums over the years, all
the while working as a professional graphic designer and freelance artist.
In August of 2008, I embarked on my first
year as a full-time teacher. I teach multiple classes in art for Monroe City
R-1 High School in Monroe City, Missouri. Those classes include Art I, Advanced
Drawing, Advanced Watercolor, Ceramics, Sculpture, Art for Middle School, 2-D
and 3-D Design, Digital Photography, and
Independent, Advanced Placement Art. My knowledge of the content area is
far-reaching due to the fact I have never settled in the niche of one medium.
Although my primary medium is watercolor and graphic design, I dabble in
multiple areas of creativity and have studied numerous areas of art. My content
knowledge is supported by my Praxis in Art K-12.
(see Exhibit C). My
experience has geared me to look at every creative opportunity as a possible
client / artisan relationship. For this reason, my lesson plans tend to exude
real-world experience and give my students the opportunity to practice creating
artwork for more than just artÕs sake.
As believed by
constructivists, learning is an active process in which students construct new
ideas and concepts based on their current knowledge and existing set of
experiences (Bruner, 1960). One
lesson that comes to mind which draws upon this philosophy is a unit I have
developed and taught covering the art of collage and the art style of Romare Bearden,
famous black artist of the Harlem Renaissance. (see Exhibit D) I have tried to relate my
lessons to the real world is in teaching my students how to get their own ideas
and views across through their artwork. Reminiscent of the social
reconstructionistsÕ beliefs, these lessons allow my students to express their
own views for social change. According to George Counts (1933), Òteacher cannot
evade the responsibility of participating actively in the task of
reconstituting the democratic tradition and of thus working positively toward a
new societyÓ (p. 19). The lesson on Romare Bearden and collage invites the
students to become active members of society and use collage as a medium for
expressing their ideas on social change. As a group, we talked a lot
about what it means to be a social activist, as Romare Bearden had been during
the 1950Õs – 1980Õs. We
studied the artwork
of Bearden and his style of collage. The students then brainstormed issues
of humanitarian concern about which they felt very strongly. Some examples of
their chosen issues are abortion, homelessness, anti-drug use, going green, and
racism. [CC1] I encouraged them to choose
something that really touched them on a personal level for it is that kind of
heartfelt emotion that is necessary to create meaningful artwork. The result
was astounding. One can see the result by viewing the samples of
my studentÕs artwork. (see Exhibit E)
As we begin each unit I feature a
significant artist which pertains directly to the medium we are studying. As I
learned in EDUC 516 Reading and Writing across Curriculum, working short,
shared texts into the unit plans helps to build literacy skills and provides
another way for my students to take in the information in the art classroom. I
utilize Scholastic Art & Man magazines, subscribed to by my school
district. Each magazine focuses on a particular artist or art style and has
three to four short articles and many examples of work. I have found that
integrating the reading portion into the lesson I reach all learning styles not
just visual learners who tend to find art a bit easier to grasp.
All of these efforts of lesson plans,
texts, and projects are only effective if we can assess our students and
determine they have successfully reached understanding. Assessment in art can
be a very tricky task. The art projects are graded very objectively and are
only graded accurately by conducting daily formative assessments of
observation. However, as I learned in EDUC 580 Methods of Effective Evaluation,
there are many methods of assessment, which are valid. I try to use a variety
of assessment forms in order to cover all aspects of learning and to assure
that objective grading of art projects is not the one and only form of
assessment my students have to determine success.
References
Bruner,
J. (1960). The process of education.
Cambridge, MA: Harvard University Press.
Counts,
G.S. (1933). A call to the teachers of
America. New York: John Day.
[CC1]This is wonderful, a genuine link between art and social commentary, a goal, I believe, of art expression. I would really like to see the studentsÕ products.